Ambra (Gatto) Bergamasco, embodied dramaturg, researcher, dance artist. Pragmatic metaphysist, a lover of practice and theory rigor. Pioneer and visionary for the ability to put together systems that appear distant and difficult to merge. From this principle, she develops what she herself defines as Processual Dramaturgical Choreography, a performative architecture built through stage direction and dramaturgical processes and the internal body. “To convey gestures on a performative level, it is necessary to reveal the process of fruition when coming in contact with inner form. Then, the internal architecture acts on the dramaturgy, revealing the direction of a whole, supporting the body that lends itself to the process “(A. Bergamasco).
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